White clapboard house and washtub

Two vignettes and one wished for:

I put up calendars on the walls in my rooms, and many of them have scenes and paintings I like to look at repeatedly. They are soothing. They relax this restless soul, who from time to time takes a break from the computer to see what the world outside is like, or was like in another age.

I’m looking at a picture in late May. It’s of a white clapboard house in the country with a woman sitting on the front porch shelling peas. Windows are open to catch the breeze, wash is on the line drying. A cat is on the bottom stoop of the steps leading to the kitchen. Part of a big maple tree is becoming fully leafed out. In the yard and surrounding the house are flowers -- daylillies and impatiens. An old pump is in the yard, too, with a blue bucket attached to the spout to receive cold, fresh water from the well it draws from. Shadows from the sun create a mosaic of light and dark spot on the grass. The cat is looking directly at me. The scene is frozen in time. Sometime in the 19th century. Fifty years ago. 75. I can’t tell. But contained in that little world, depicted in that calendar painting, is a universe of right order, hard work, gentlesness of spirit, goodness of heart.

The other scene is in autumn. A country house, but large, a big porch this time, surrounded by tall trees. A white picket fence. A swing in a tree. Two boys and a girl on their bikes heading for the dirt road in front of the house. The dirt road winds into the distance toward low hills and mountains, among other houses, barns and fields. Maybe it’s Connecticut or New England. At least, that what it reminds me of, and of how much I would love to visit New England some day and drive down such a country road, so different from the ones in my own piney woods of Lowcountry South Carolina.

Another scene I’d like to see: An old country store with people gathered in front in chairs and on benches, leaning back, taking in a quiet, late summer afternoon in the country. Hardly a car passing by on the road. Inside are old-fashioned jars filled with candy, and long wooden counters, and hardware supplies, and general merchandise -- all you’d really need, mostly, for a simple life. And I’d stop my car and get out and walk in the front screen door with the Merita Bread sign on it, and head for the soft drink case, open the lid, put my coins in, and retrieve a bottle of the iciest cold, Orange Nehi drink that ever quenched a thirst in July, and with it eat some crackers, and walk around in the store, smelling the good smells, hearing the old floorboards creak as I walk on them, looking up at the ornamental pressed tin panels in the old ceiling from when the building was constructed in the last centry. And I’d sigh a sigh of relief and satisfaction, knowing that not all of these places were lost to the world of megamalls and hard-driven commercial appetites, and traffic and noise with not much quiet civilization left. I am transported out of the present, and I wish it would last.